The Last Kings of Hollywood review: Paul Fischer appraises Coppola, Lucas and Spielberg is drawing significant interest across the industry.
While there’s a case to be made for the violent comeuppance at the end of Arthur Penn’s 1967 film Bonnie and Clyde heralding the dawn of a new Hollywood – and the box-office take for Easy Rider two years later showed that the long-haired audience had deep pockets – Paul Fischer’s highly enjoyable celluloid and social history concentrates on the three directors who really changed American cinema forever.
Experts suggest this could influence future trends and innovation in the sector.
More updates are expected as the story develops.
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